| |
Records |
Links |
|
Author |
Somoza, Jimena Mabel |
|
| |
Title  |
Hospitalarias realidades: Desarme de corporalidades metaleras a través de la Medicina y las Ciencias Naturales |
Type |
Magazine Article |
| |
Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
1 |
Pages |
22-23 |
|
| |
Keywords |
|
|
| |
Abstract |
Jimena Mabel Somoza es egresada del Profesorado de Cs. Naturales perteneciente al Instituto Superior de Profesorado “Dr. Joaquín V. González”. Especialista Superior en Ed. Sexual. Colaboró en el libro Ideas para el aula de Meinardi, Elsa y Mateu, Marina (compiladoras).
Especialista en Docencia de Nivel Secundario, egresada del CITEP (UBA). Diplomada en Intervenciones Pedagógicas en Contexto de Encierro de la UNSAM y Especialista Superior en Políticas de la Infancia del Instituto Superior de Profesorado N°2 “Mariano Acosta”.
Maestranda en Educación en Ciencias Experimentales y Tecnología, FCEFyN (UNC), también cursa la Maestría y Doctorado en Estudios y Políticas de Género en la UNTREF. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic, Argentine Republic |
Editor |
|
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
2953-3805 |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2381 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Orálková, Lucie |
|
| |
Title |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
Type |
Book Whole |
| |
Year |
2022 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
|
|
| |
Keywords |
Megadeth (band); Peace Sells... But Who’s Buying? (album); Analysis |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Bachelor's thesis |
|
| |
Publisher |
Univerzita Palackého v Olomouci |
Place of Publication |
Olomouc |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2452 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Callaway, Charles |
|
| |
Title |
I See The Horse |
Type |
Book Whole |
| |
Year |
2016 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
490 |
|
| |
Keywords |
Communication and the arts; Creative writing; Fantasy literature; Fiction; Heavy metal |
|
| |
Abstract |
I See the Horse is a fantasy novel that follows the adventures of Komar Voorhexees of Port Karpricius during a time of civil war within The Ten Kingdoms of the Enlibar Empire. The primary focus or super objective of the novel centers on the pursuit of a religious artifact, The Tear of Vashanka, and the delivery of documents important to the war cause.
The novel follows story telling lessons from Twain, Vonnegut, Robert Mckee, and Orson Scott Card. The novel also mixes elements from canonical masters such as Homer, Shakespeare, and Joyce with genre-champions such as J.R.R. Tolkien, R.E. Howard, and G.R.R. Martin, as well as components of heavy metal music. The result lies squarely between the subgenres of Sword and Sorcery and High (Epic) Fantasy. The first six chapters fit into the Sword and Sorcery category; whereas, the second dives into Epic Fantasy as the protagonist slowly becomes part of the bigger milieu.
The novel was created to have an original, gritty, realistic world with an American feel and flavor and a fantasy city drenched in the culture of the American South. To create a fantasy novel with an American feel was the projects initial purpose and drive. This is accomplished by drawing heavily upon the author’s life and experience. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Master's thesis |
|
| |
Publisher |
University of Central Oklahoma |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-1-369-45252-5 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2216 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Chaker, Sarah |
|
| |
Title |
Im Höllen-Labyrinth des Metal |
Type |
Book Chapter |
| |
Year |
2021 |
Publication |
Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
319-342 |
|
| |
Keywords |
Hell |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Transcript |
Place of Publication |
Bielefeld |
Editor |
Dimbath, Oliver; Friedrich, Lena M.; Gebhardt, Winfried |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2110 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Gutiérrez, Julio César |
|
| |
Title |
Imágenes Reflejo del Ajayu del Under Boliviano |
Type |
Book Chapter |
| |
Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
201-242 |
|
| |
Keywords |
Bolivia; Underground |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2489 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Castillo Bernal, Stephen |
|
| |
Title |
Imágenes, ficción y consumo cultural. El impacto de la pantalla chica en la globalidad del heavy metal. |
Type |
Journal Article |
| |
Year |
2016 |
Publication |
Dimensión Antropológica |
Abbreviated Journal |
|
|
| |
Volume |
66 |
Issue |
January-April |
Pages |
117-148 |
|
| |
Keywords |
|
|
| |
Abstract |
En este trabajo exploraré la construcción de identidades y estereotipos sobre la escena metalera desde la pantalla chica. El cine, así como los programas televisivos, han jugado un papel fundamental en la reproducción del canon metalero.1 Destacan series animadas como Beavis and Butt-Head, transmitidas por el canal mtven la década de los 90, la cual dio paso a series como Metalocalypse, donde se privilegia la vida de los músicos y no tanto la de los fans.Si los productos fílmicos, audiovisuales y televisivos pueden verse como documentos etnográficos que evidencian un contexto cultural al margen de la intencionalidad del autor, entonces las imágenes televisivas asociadas con la escena metalera serán filtradas y re-significadas por cada sujeto y colectividad. Estos imaginarios ficcionales, que pueden o no corresponder con la realidad, generan estigmas, identidades, tabúes, temores y, paradójicamente, la reproducción de la escena metalera mundial mediante diversos consumos culturales. Se analizará la imagen global del heavy metal en las narrativas de Metalocalypse y cómo éstas evidencian el carácter estructural de ese género musical, ello a partir de un ejercicio etnográfico entre los participantes de esa comunidad de sentido en la ciudad de México. Los testimonios etnográficos fueron seleccionados de manera para apuntalar mis interpretaciones. |
|
| |
Address |
https://revistas.inah.gob.mx/index.php/dimension/index |
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Instituto Nacional de Antropología e Historia de México (INAH) |
Place of Publication |
Palacio del Marqués del Apartado, Ciudad de México |
Editor |
Subdirector de Publicaciones Periódicas: Benigno Casas |
|
| |
Language |
español |
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
ISSN: 1405776X |
ISBN |
|
Medium |
PDF |
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
Revista CuatRimestRal |
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2405 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
González Hernández , José Omar |
|
| |
Title |
Imaginarios de la maldad. El espacio como perpetrador en el goregrind mexicano |
Type |
Journal Article |
| |
Year |
2022 |
Publication |
Lenguas Radicales |
Abbreviated Journal |
|
|
| |
Volume |
1 |
Issue |
4 |
Pages |
52-60 |
|
| |
Keywords |
Goregrind; Mexico; Violence; Noise; Abjection |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
|
Place of Publication |
|
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2391 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Höpflinger, Anna-Katharina |
|
| |
Title |
In Red Sneakers to a Black Metal Concert? The “Laws” of the Metal Dress Code between Transgression and Convention |
Type |
Book Chapter |
| |
Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
55-68 |
|
| |
Keywords |
Dress-Code; Law; Conventionality; Transgression |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Kohlhammer |
Place of Publication |
Stuttgart |
Editor |
Pichler, Peter |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2574 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Mouth |
|
| |
Title |
In the black depth of the droneswarm |
Type |
Book Chapter |
| |
Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
160-187 |
|
| |
Keywords |
Drone metal |
|
| |
Abstract |
|
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
|
|
| |
Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
|
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2182 |
|
| Permanent link to this record |
| |
|
| |
|
Author |
Sikes, Laura |
|
| |
Title |
In the Groove: American Rock Criticism, 1966-1978 |
Type |
Book Whole |
| |
Year |
2017 |
Publication |
|
Abbreviated Journal |
|
|
| |
Volume |
|
Issue |
|
Pages |
390 |
|
| |
Keywords |
American literature; Communication and the arts; Counterculture; Group identity; Journalism; Literature and linguistics; Music criticism; Music history; Nineteen sixties; Political discourse; Rock journalism; Rock music; Rolling Stone (magazine); United States history |
|
| |
Abstract |
Rock and roll music was a national youth obsession for more than ten years before the first rock critics began writing seriously about the form. Rock was dismissed by adult cultural authorities as empty, degraded, and even dangerous. However, to its fans, rock was an important form of personal expression, a source of group identity, and a mode of political discourse. Rock critics understood its cultural and political power. In their work, they explained its importance to the American public.
In 1966, the first rock critic, Richard Goldstein, began writing about rock and roll in a weekly column in the Village Voice called “Pop Eye.” In it, he asserted that rock and roll was an art that deserved the same recognition and protections afforded to other art forms. By 1967, The New Yorker hired Ellen Willis to write about rock in a regular column called “Rock, Etc.” She brought an intellectual sophistication to the genre that would resound long after her career as a rock critic ended. Later in 1967, Rolling Stone debuted; it would become the most visible and influential source of rock criticism for the next fifty years. Editor Jann Wenner’s tastes and approach would affect the way rock was perceived in his own time and for decades after. Finally, in 1968, Lester Bangs debuted onto the scene, writing artful reviews for publications like Creem and Rolling Stone, explaining the changes that were taking place as rock music splintered into subgenres like punk and heavy metal.
The quality of these rock critics’ thought and the influence of their writing makes rock criticism an important and under-studied branch of Sixties literature. Each of the rock critics addressed in this dissertation explained to the public what rock music meant and why it mattered. By placing rock in its social, political, and cultural context, they demonstrated that it was far from the empty form cultural authorities thought it was. Their work permanently changed perceptions of popular music, proving that it was substantial enough to stand up to the same kind of critical treatment as other art forms. |
|
| |
Address |
|
|
| |
Corporate Author |
|
Thesis |
Ph.D. thesis |
|
| |
Publisher |
University of Rochester |
Place of Publication |
Ann Arbor |
Editor |
|
|
| |
Language |
|
Summary Language |
|
Original Title |
|
|
| |
Series Editor |
|
Series Title |
|
Abbreviated Series Title |
|
|
| |
Series Volume |
|
Series Issue |
|
Edition |
|
|
| |
ISSN |
|
ISBN |
978-0-355-39567-9 |
Medium |
|
|
| |
Area |
|
Expedition |
|
Conference |
|
|
| |
Notes |
|
Approved |
no |
|
| |
Call Number |
INTech @ brianhickam2019 @ |
Serial |
2208 |
|
| Permanent link to this record |
