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| Author |
Rodríguez Molinari, María Ximena |
Title  |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
Type |
Book Chapter |
| Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Issue |
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Pages |
161-182 |
| Keywords |
Uruguay; Dictatorship; History (metal music); Latin America; Non-Western scenes |
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| Publisher |
Lexington Books |
Place of Publication |
Lanham |
Editor |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2020 |
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| Author |
Barchi, Rodrigo |
| Title |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
Type |
Book Chapter |
| Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Issue |
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Pages |
314-343 |
| Keywords |
Grindcore; Album art |
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| Publisher |
Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2368 |
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| Author |
Legard, Phil |
| Title |
Inner-sense and experience. Drone music, esotericism, and the hierdeictic field |
Type |
Book Chapter |
| Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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Issue |
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Pages |
42-59 |
| Keywords |
Esotericism; Drone metal |
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| Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2171 |
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| Author |
Thomas, Niall |
| Title |
Innovation and tradition in metal music production |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
7 |
Issue |
3 |
Pages |
423-443 |
| Keywords |
Recording; Music industry; Music production |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2135 |
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| Author |
Wolfe, Kristina |
| Title |
Insoluminance |
Type |
Book Chapter |
| Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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Issue |
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Pages |
70-85 |
| Keywords |
Drone metal |
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| Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2172 |
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| Author |
Wojtala, Malwina |
| Title |
Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music] |
Type |
Book Chapter |
| Year |
2020 |
Publication |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
Abbreviated Journal |
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Issue |
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Pages |
212-225 |
| Keywords |
History; Second World War; Motifs |
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| Publisher |
Wydawnictwo Naukowe Uniwersytetu Pedagogicznego |
Place of Publication |
Kraków |
Editor |
Kosek, Jakub |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2050 |
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| Author |
Burns, Lori |
| Title |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
Type |
Journal Article |
| Year |
2020 |
Publication |
American Music Perspectives |
Abbreviated Journal |
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| Volume |
1 |
Issue |
2 |
Pages |
98-118 |
| Keywords |
Oppression; Race; Gender; Oceans of Slumber (band); Cammie Gilbert (artist) |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2397 |
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| Author |
Temkin, Daniel |
| Title |
Intricate Machines for String Quartet |
Type |
Book Whole |
| Year |
2016 |
Publication |
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| Keywords |
Classical music; Heavy Metal; Musical composition; String quartets |
| Abstract |
Program Notes: Intricate Machines was composed for the 2016 Saarbrücken Somermusik festival in Germany. The festival theme was “travel to foreign lands” and this piece, in some sense, represents a larger journey from the chaos of the outside world into a more peaceful sphere of inner reflection. Each of the five movements is connected together and played without pause. Beginning with dense and rhythmic outbursts, the first movement (“Heavy-Metal Viola”) imagines a musical offspring of Bartok and Metallica somehow fused together by string quartet. The second movement (“Bump in the Night”) focuses on juxtaposition: a lone, delicate, solo violin hums quietly, only to face jarring interruptions from the ensemble underneath. Ending with an introspective chorale, the second movement gives way to movement three (“Churning Gears”) in which fast and repetitive ostinatos create a dense interlocking musical machine. The fourth movement (“Constellations”) begins with an eruption of heavy, sustaining, chords that are played freely, out of time. These vibrating orbs of sound gradually recede into distant and ethereal harmonics. Suggesting a celestial atmosphere, the solo cello gently sings a muted melody, leaving us in a place of transformation relative to the earlier movements. Movement five, a playful folk-dance, completes the total journey as an overt contrast to the tense opening movements. Amidst its quirky and bizarre groove, elements of rock, funk, folk-fiddling, and pedal-tone drone music, are assimilated into what composer Steven Mackey describes as “a vernacular music from a culture that doesn’t really exist”—or as I phrase it here, a “Martian Jukebox Hoe-down.” |
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Thesis |
Doctoral thesis |
| Publisher |
University of Southern California |
Place of Publication |
Ann Arbor |
Editor |
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ISBN |
9798460449484 |
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no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2214 |
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| Author |
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
| Title |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
Type |
Book Chapter |
| Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Latin America; Non-Western scenes; Argentina; Global South |
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| Publisher |
University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
| Language |
English |
Summary Language |
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ISBN |
978-1-78938-299-0 |
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no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_introduction_2020 |
Serial |
733 |
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| Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
| Title |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
Type |
Book Chapter |
| Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
1-6 |
| Keywords |
Global South |
| Abstract |
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| Publisher |
Lexington Books |
Place of Publication |
London |
Editor |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2422 |
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