| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |
|
|
|
Barchi, Rodrigo |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
314-343 |
|
|
|
Legard, Phil |
Inner-sense and experience. Drone music, esotericism, and the hierdeictic field |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
42-59 |
|
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
|
|
Wolfe, Kristina |
Insoluminance |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
70-85 |
|
|
|
Wojtala, Malwina |
Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
212-225 |
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Temkin, Daniel |
Intricate Machines for String Quartet |
2016 |
|
|
|
|
|
|
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
