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Fredriksson, D. (2021). “Not Folk Metal, but...” Online intercultural musicking in “the Grove”. Svensk tidskrift för musikforskning [Swedish Journal of Music Research], 103, 111–126.
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Mendoza Negrete, J. E. (2021). “Puro chuqui”: una interpretación postcolonial de la propuesta musical de Nunca Jamás. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 99–105). Buenos Aires: Clara Beter Ediciones.
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Kahn-Harris, K. (2006). “Roots”? the relationship between the global and the local within the Extreme Metal scene. In A. Bennett, B. Shank, & J. Toynbee (Eds.), The popular music studies reader (pp. 128–134). Milton Park: Routledge.
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Radovanović, B. (2024). “Surrender is not an option”: Answers of the Serbian metal scene to the COVID-19 crisis. Metal Music Studies, 10(2), 105–121.
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Kneer, J., & Rieger, D. (2015). “The Memory Remains”: How Heavy Metal Fans Buffer Against the Fear of Death. Psychology of Popular Media Culture, 5(3), 1–15.
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Kennedy, L. (2021). “This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Reinhardt, J. T. (2024). “To Rise Beyond Jesus”: Heavy Metal as Anti-theological Protest. In H. M. Altman, & J. H. Harwell (Eds.), Theology and Protest Music (pp. 129–164). Lanham: Lexington Books; Fortress Academic.
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Varas-Díaz, N., Hickam, B., González-Martínez, S., Castañeda, M., Galicia Poblet, F., Nieves Molina, A., et al. (2022). “Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world. Metal Music Studies, 8(1), 47–68.
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Gospodarek, K. (2023). "Tomorrow is cancelled”. A Characterisation of the Music and Chosen Psychological Aspects of Depressive Suicidal Black Metal. Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 15(4), 129–137.
Abstract: “The article shortly characterises the depressive suicidal black metal subgenre and determines the psychological impact on its listeners and creators. It also shows that the „average” heavy metal music fan declares that heavy metal affects their lives in a positive way. All information accrued in the article points to the fact that while some people report feeling worse while listening to depressive suicidal black metal music, others say that it makes them feel better, which is determined by the individual differences between them.”
(SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10975)
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Clinton, E., & Wallach, J. (2024). “United We Never Shall Fall”: Metal and Disability. In J. H. Shadrack, & K. Kahn Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 9–22). Bristol: Intellect.
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