| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Kennedy, Lewis |
“This Is the City of Hate”: Surveying the Hull Metal/Hardcore Scene |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Varas-Díaz, Nelson; Hickam, Brian; González-Martínez, Susana; Castañeda, Mario; Galicia Poblet, Fernando; Nieves Molina, Alfredo; Scaricaciottoli, Emiliano |
“Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world |
2022 |
Metal Music Studies |
8 |
47-68 |
| Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
| Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
| Swist, Jeremy |
“Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome |
2022 |
Metal Music Studies |
8 |
309-325 |
| Rapatskaya, Yanina Olegovna |
“ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde] |
2022 |
Артикульт [Articult] |
2 |
44-66 |
| Dinali, Wescely |
(ENTRE) Educações: crust punk, arte de viver e e e... |
2021 |
Diálogos com a música extrema |
|
264-284 |
| Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
| Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
2022 |
Metal Music Studies |
8 |
327-350 |
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Miranda, D.L. |
A Darkened Caribbean: Metal Music’s Imagery as Decolonial Truth-Telling |
2024 |
HIOL: Hispanic Issues On Line |
32 |
102–26 |
