| Records |
| Author |
Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Title  |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
Type |
Journal Article |
| Year |
2018 |
Publication |
Arte y Políticas de Identidad; Murcia |
Abbreviated Journal |
|
| Volume |
19 |
Issue |
|
Pages |
183-200 |
| Keywords |
Cultural Identity; Non-Western scenes; Indigenity; Mapuche; Peumayen (band) |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
Spanish |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
1889979x |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
Identity, Self-Representation And Decolonial Discourse In The Lyrics Of Mapuche Peumayen Group’S First Album |
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ pailahual_identidad_2018 |
Serial |
908 |
| Permanent link to this record |
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| |
| Author |
Urtaza, Eugenio Manuel Otero |
| Title |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
Type |
Journal Article |
| Year |
2020 |
Publication |
Historia y Memoria de la Educación |
Abbreviated Journal |
|
| Volume |
|
Issue |
12 |
Pages |
271-332 |
| Keywords |
Cultural Identity; Pedagogy; Finnland; Cosmopolitism |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
spa |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
2444-0043 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ urtaza_identidad_2020 |
Serial |
1608 |
| Permanent link to this record |
| |
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| |
| Author |
Sikes, Laura |
| Title |
In the Groove: American Rock Criticism, 1966-1978 |
Type |
Book Whole |
| Year |
2017 |
Publication |
|
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
390 |
| Keywords |
American literature; Communication and the arts; Counterculture; Group identity; Journalism; Literature and linguistics; Music criticism; Music history; Nineteen sixties; Political discourse; Rock journalism; Rock music; Rolling Stone (magazine); United States history |
| Abstract |
Rock and roll music was a national youth obsession for more than ten years before the first rock critics began writing seriously about the form. Rock was dismissed by adult cultural authorities as empty, degraded, and even dangerous. However, to its fans, rock was an important form of personal expression, a source of group identity, and a mode of political discourse. Rock critics understood its cultural and political power. In their work, they explained its importance to the American public.
In 1966, the first rock critic, Richard Goldstein, began writing about rock and roll in a weekly column in the Village Voice called “Pop Eye.” In it, he asserted that rock and roll was an art that deserved the same recognition and protections afforded to other art forms. By 1967, The New Yorker hired Ellen Willis to write about rock in a regular column called “Rock, Etc.” She brought an intellectual sophistication to the genre that would resound long after her career as a rock critic ended. Later in 1967, Rolling Stone debuted; it would become the most visible and influential source of rock criticism for the next fifty years. Editor Jann Wenner’s tastes and approach would affect the way rock was perceived in his own time and for decades after. Finally, in 1968, Lester Bangs debuted onto the scene, writing artful reviews for publications like Creem and Rolling Stone, explaining the changes that were taking place as rock music splintered into subgenres like punk and heavy metal.
The quality of these rock critics’ thought and the influence of their writing makes rock criticism an important and under-studied branch of Sixties literature. Each of the rock critics addressed in this dissertation explained to the public what rock music meant and why it mattered. By placing rock in its social, political, and cultural context, they demonstrated that it was far from the empty form cultural authorities thought it was. Their work permanently changed perceptions of popular music, proving that it was substantial enough to stand up to the same kind of critical treatment as other art forms. |
| Address |
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| Corporate Author |
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Thesis |
Ph.D. thesis |
| Publisher |
University of Rochester |
Place of Publication |
Ann Arbor |
Editor |
|
| Language |
|
Summary Language |
|
Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
|
Edition |
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| ISSN |
|
ISBN |
978-0-355-39567-9 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2208 |
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| |
| Author |
Belén Calvo, Manuela |
| Title |
Indigenista perspectives in Argentine metal music |
Type |
Journal Article |
| Year |
2018 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
| Volume |
4 |
Issue |
1 |
Pages |
155-163 |
| Keywords |
Motifs; Cultural Identity; Politics; Non-Western scenes; Argentina |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
|
Edition |
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| ISSN |
2052-3998 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ belen_calvo_indigenista_2018 |
Serial |
510 |
| Permanent link to this record |
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| |
| Author |
Manea, Irina-Maria |
| Title |
Interludium: Die völkische Dimension des Black Metal |
Type |
Book Chapter |
| Year |
2016 |
Publication |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
Abbreviated Journal |
|
| Volume |
|
Issue |
|
Pages |
75-82 |
| Keywords |
Black Metal; Cultural Identity; Nationalism |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Nomos |
Place of Publication |
Baden-Baden |
Editor |
Penke, Niels; Teichert, Matthias |
| Language |
Deutsch |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
|
ISBN |
978-3-8487-1275-5 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ penke_interludium_2016 |
Serial |
764 |
| Permanent link to this record |
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| |
| Author |
Lucas, Olivia |
| Title |
Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture |
Type |
Book Chapter |
| Year |
2015 |
Publication |
Modern Heavy Metal: Markets, Practices and Cultures |
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
555-563 |
| Keywords |
Black metal; Cultural Identity; Kentucky (U.S.A.) |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Aalto University & International Institute for Popular Culture |
Place of Publication |
Helsinki & Turku |
Editor |
Karjalainen, Toni-Matti; Kärki, Kimi |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ karjalainen_kentucky_2015 |
Serial |
408 |
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| |
| Author |
Belén Calvo, Manuela |
| Title |
La construcción de la identidad metálica auténcia en la escena argentina |
Type |
Book Chapter |
| Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
Abbreviated Journal |
|
| Volume |
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Issue |
|
Pages |
245-266 |
| Keywords |
Argentinian scene; Argentina; Identity; Authenticity |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2365 |
| Permanent link to this record |
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| Author |
Folgueira Lombardero, Pablo |
| Title |
La idea de historia en el heavy metal español |
Type |
Journal Article |
| Year |
2010 |
Publication |
Tiempo y Sociedad |
Abbreviated Journal |
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| Volume |
3 |
Issue |
|
Pages |
5-41 |
| Keywords |
History; Spain; Cultural identity |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ folgueira_lombardero_idea_2010 |
Serial |
21 |
| Permanent link to this record |
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| Author |
Miranda Bonilla, Sergio |
| Title |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
Type |
Journal Article |
| Year |
2020 |
Publication |
Estudios sobre las culturas contemporáneas |
Abbreviated Journal |
|
| Volume |
26 |
Issue |
52 |
Pages |
69-92 |
| Keywords |
Theology; Religion; Identity; Spirituality |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2028 |
| Permanent link to this record |
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| |
| Author |
Chu, Meng Tze |
| Title |
L’ontologie de l’identité métalleuse face ? la mondialisation: généalogie imaginaire, réseau solidaire |
Type |
Book Whole |
| Year |
2012 |
Publication |
|
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
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| Keywords |
Globalization; Identity; Global scene |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
Ph.D. thesis |
| Publisher |
École doctorale de l’École des hautes études en sciences sociales |
Place of Publication |
Paris |
Editor |
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| Language |
français |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ chu_ontologie_2012 |
Serial |
1900 |
| Permanent link to this record |
