Records |
Author |
Stosuy, Brandon |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Meaningful Leaning Mess |
Type |
Book Chapter |
Year |
2014 |
Publication |
Hideous gnosis: Black Metal Theory Symposium 1 |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
143-156 |
Keywords |
Rhetoric; Black Metal |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
s. i. |
Place of Publication |
s. l. |
Editor |
Masciandaro, Nicola |
Language |
English |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
978-1-4505-7216-3 |
Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ masciandaro_meaningful_2014 |
Serial |
1054 |
Permanent link to this record |
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Author |
Bénard, Nicolas |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Les mythologies hard rock et métal : bricolage identitaire ou récit original ? |
Type |
Journal Article |
Year |
2009 |
Publication |
Societes |
Abbreviated Journal |
|
Volume |
104 |
Issue |
2 |
Pages |
65-72 |
Keywords |
Rhetoric; Motifs |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
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Place of Publication |
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Editor |
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Language |
fr |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
0765-3697 |
ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ benard_les_2009 |
Serial |
19 |
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Author |
Bénard, Nicolas |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Les images de guerre dans la musique metal. Entre fascination et dénonciation |
Type |
Journal Article |
Year |
2012 |
Publication |
Societes |
Abbreviated Journal |
|
Volume |
117 |
Issue |
3 |
Pages |
113-128 |
Keywords |
Rhetoric; Motifs; Politics; War |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
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Place of Publication |
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Editor |
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Language |
fr |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
0765-3697 |
ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ benard_les_2012 |
Serial |
1704 |
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Author |
Digioia, Amanda |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Lechery, lycanthropy and Little Red Riding Hood in Type O Negative’s ‘Wolf Moon (Including Zoanthropic Paranoia)’ |
Type |
Journal Article |
Year |
2016 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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Volume |
2 |
Issue |
2 |
Pages |
233-243 |
Keywords |
Literature; Rhetoric; Motifs; Type O Negative |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2052-3998 |
ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ digioia_lechery_2016 |
Serial |
551 |
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Author |
Rowell-Lynn, Elisa |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Heavy metal and hard rock lyrics: a comparison of language intensity and lyrical themes |
Type |
Book Whole |
Year |
1993 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Language; Rhetoric; Motifs; Textuality |
Abstract |
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Address |
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Corporate Author |
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Thesis |
Ph.D. thesis |
Publisher |
University of West Florida |
Place of Publication |
Pensacola |
Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ rowell-lynn_heavy_1993 |
Serial |
2 |
Permanent link to this record |
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Author |
Benedik, John |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Gods of thunder: the truths and lies that made heavy metal mythology |
Type |
Book Whole |
Year |
2008 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Rhetoric; Motifs; Mythology |
Abstract |
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Address |
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Corporate Author |
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Thesis |
Ph.D. thesis |
Publisher |
Kent State University |
Place of Publication |
Kent |
Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
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Medium |
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Area |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ benedik_gods_2008 |
Serial |
13 |
Permanent link to this record |
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Author |
Lesouooijenrd, Erik van |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Giving life harmoniously: animal inversion in Cattle Decapitation |
Type |
Journal Article |
Year |
2015 |
Publication |
Helvete: A Journal of Black Metal Theory |
Abbreviated Journal |
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Volume |
2 |
Issue |
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Pages |
73-93 |
Keywords |
Rhetoric; Black Metal; Motifs; Cattle Decapitation |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ lesouooijenrd_giving_2015 |
Serial |
421 |
Permanent link to this record |
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Author |
St-Laurent, Méi-Ra |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
Type |
Journal Article |
Year |
2016 |
Publication |
Metal Music Studies |
Abbreviated Journal |
|
Volume |
2 |
Issue |
1 |
Pages |
87-108 |
Keywords |
Rhetoric; Extreme Metal; Textuality; Septicflesh; Narrative |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
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Place of Publication |
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Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
2052-3998 |
ISBN |
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Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ st-laurent_finally_2016 |
Serial |
544 |
Permanent link to this record |
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Author |
Burke, David |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
Year |
2016 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
Abstract |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
Address |
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Corporate Author |
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Thesis |
Bachelor's thesis |
Publisher |
University of Southampton |
Place of Publication |
Southampton |
Editor |
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Language |
en |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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Medium |
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Conference |
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Notes |
BA (History) Degree |
Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
Permanent link to this record |
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Author |
Sanchino Martínez, Esteban |
Title ![sorted by Title field, descending order (down)](img/sort_desc.gif) |
Drastik und Metal – SLAYERs Reign in Blood |
Type |
Book Chapter |
Year |
2019 |
Publication |
DRASTIK Zur Logik und Ästhetik eines populärkulturellen Paradigmas |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
187-266 |
Keywords |
Rhetoric; Motifs; Aesthetics; Slayer |
Abstract |
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Address |
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Corporate Author |
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Thesis |
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Publisher |
readbox unipress |
Place of Publication |
Münster |
Editor |
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Language |
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Summary Language |
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Original Title |
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Series Editor |
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Series Title |
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Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
978-3-8405-0209-5 |
Medium |
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Area |
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Expedition |
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Conference |
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Notes |
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Approved |
no |
Call Number |
UCM - CAM @ amaranta.saguar.garcia @ sanchino_martinez_drastik_2019 |
Serial |
857 |
Permanent link to this record |