| Records |
| Author |
García-Peinazo, Diego |
Title  |
Flamenco Metal, mundos de género y transfonografía |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
Abbreviated Journal |
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| Volume |
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Issue |
|
Pages |
133-154 |
| Keywords |
Spain; Musicology; Flamenco metal |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Apache Libros |
Place of Publication |
Madrid |
Editor |
Galicia Poblet, Fernando |
| Language |
Spanish |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
|
Series Issue |
|
Edition |
|
| ISSN |
|
ISBN |
978-84-12-03453-0 |
Medium |
|
| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ galicia_poblet_flamenco_2019 |
Serial |
674 |
| Permanent link to this record |
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| |
| Author |
Simms, Bekah |
| Title |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
Type |
Book Whole |
| Year |
2019 |
Publication |
|
Abbreviated Journal |
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| Volume |
|
Issue |
|
Pages |
64 |
| Keywords |
Bathory; Cello; Concerto; Heavy metal; Musical composition; Music history; Music theory |
| Abstract |
Foreverdark is a single movement, ten-minute concertino (short concerto) for amplified cello soloist with live electronic processing and chamber orchestra. The exact instrumentation consists of violoncello solo, flute, clarinet, oboe, bassoon, trumpet in Bb, horn in F, tenor trombone, percussion, piano, harp, violin 1, violin 2, viola, violoncello, and double bass; each part is played by a single player. The compositional style is a continuation and deeper exploration of the composer’s current compositional interests, namely the integration of quotation and popular music style signals within more broadly art music formats. By amplifying and separating the cello soloist from the ensemble, the player’s position alludes to that of a “lead guitarist;” subsequently, much of their melodic material (and that of the orchestra around them) is sourced from a variety of heavy metal riffs, most of them from bands the composer listened to as a teenager. The piece’s title, “Foreverdark,” both references the song with a similar name (Foreverdark Woods) by Viking metal artist Bathory as well as the composer’s long and somewhat nostalgic relationship to the metal genre itself. In addition to heavy metal-sourced melodic and rhythmic motifs, “Foreverdark” also contains some material bordering on a folk music aesthetic. Surprisingly, metal-turned-folk is a common stylistic shift in for some of the bands quoted within the work. |
| Address |
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| Corporate Author |
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Thesis |
Doctoral thesis |
| Publisher |
University of Toronto (Canada) |
Place of Publication |
Ann Arbor |
Editor |
|
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
9781085778831 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2201 |
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| |
| Author |
Brown, Andy R., Niall W. R. |
| Title |
From class disgust to indie art-house accolades and fan celebrity: the strange cultural journey of ”Heavy Metal Parking Lot” |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Heavy metal at the movies |
Abbreviated Journal |
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| Volume |
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Issue |
|
Pages |
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| Keywords |
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| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Routledge, Taylor & Francis Group |
Place of Publication |
London & New York |
Editor |
Bayer, Gerd |
| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
|
Edition |
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| ISSN |
|
ISBN |
978-1-138-57159-4 |
Medium |
|
| Area |
|
Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ bayer_class_2019 |
Serial |
967 |
| Permanent link to this record |
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| |
| Author |
Scott, Niall W.R. |
| Title |
From ”Parking Lot to Baghdad”: documentary film and global metal discourse |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Heavy metal at the movies |
Abbreviated Journal |
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| Volume |
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Issue |
|
Pages |
|
| Keywords |
Documentaries |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Routledge, Taylor & Francis Group |
Place of Publication |
London & New York |
Editor |
Bayer, Gerd |
| Language |
|
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-1-138-57159-4 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ bayer_parking_2019 |
Serial |
966 |
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| Author |
Glitsos, Laura |
| Title |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Australian Metal Music |
Abbreviated Journal |
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| Volume |
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Issue |
|
Pages |
91-110 |
| Keywords |
Gothic; Gender; Cultural Identity; Australia |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Emerald |
Place of Publication |
London |
Editor |
Hoad, Catherine |
| Language |
en |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-1-78769-168-1 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hoad_frontierswomen_2019 |
Serial |
505 |
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| Author |
Hosman, Sarah Siltanen |
| Title |
Gender inequality in metal music production (book review) |
Type |
Journal Article |
| Year |
2019 |
Publication |
Gender & Society |
Abbreviated Journal |
|
| Volume |
33 |
Issue |
4 |
Pages |
652-654 |
| Keywords |
Book review |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
SAGE Publications, Inc. |
Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
0891-2432 |
ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2228 |
| Permanent link to this record |
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| |
| Author |
Ndoja, Davjola |
| Title |
German National Socialist Black Metal: Contemporary Neo–Nazism and the Ongoing Struggle with Antisemitism |
Type |
Book Chapter |
| Year |
2019 |
Publication |
“Mister Gorbachev, tear down this wall!” Socio-economic and Political Consequences 30 Years After |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
NSBM; Antisemitism; Politics; Absurd (band); Neo Nazism; Germany |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
ZETA Books |
Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
History of Communism in Europe |
Abbreviated Series Title |
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| Series Volume |
10 |
Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2300 |
| Permanent link to this record |
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| |
| Author |
Pruitt, Cenate |
| Title |
Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel |
Type |
Journal Article |
| Year |
2019 |
Publication |
The Journal of Public and Professional SociologyThe Journal of Public and Professional Sociology |
Abbreviated Journal |
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| Volume |
11 |
Issue |
2 |
Pages |
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| Keywords |
Wrestling |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
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Place of Publication |
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Editor |
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| Language |
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Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
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Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2593 |
| Permanent link to this record |
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| Author |
Smialek, Eric |
| Title |
Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetic |
Type |
Book Chapter |
| Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
35-56 |
| Keywords |
Black Metal; Neomedievalism; Aesthetics |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
| Language |
|
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
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Abbreviated Series Title |
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| Series Volume |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
978-1-78756-396-4 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_getting_2019 |
Serial |
486 |
| Permanent link to this record |
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| |
| Author |
Hein, Fabien |
| Title |
Hard rock, heavy metal, metal : Histoire, cultures et pratiquants |
Type |
Book Whole |
| Year |
2019 |
Publication |
|
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
History (metal music) |
| Abstract |
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| Address |
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| Corporate Author |
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Thesis |
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| Publisher |
Éditions Mélanie Seteun |
Place of Publication |
Guichen |
Editor |
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| Language |
fr |
Summary Language |
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Original Title |
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| Series Editor |
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Series Title |
Musique et société |
Abbreviated Series Title |
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| Series Volume |
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Series Issue |
|
Edition |
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| ISSN |
|
ISBN |
978-2-913169-50-0 |
Medium |
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| Area |
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Expedition |
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Conference |
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| Notes |
|
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hein_hard_2019 |
Serial |
1166 |
| Permanent link to this record |
