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Guberman, D. (2018). Massive Scar Era, Heavy Metal, and Two Tyrannies. In Joseph E. Morgan, & Gregory N. Reish (Eds.), Tyrannny and Music (pp. 183–198). New York: Lexington Books.
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Shadrack, J. (2018). Mater omnium and the cosmic womb of the abyss: Nomadic interiorities and matrifocal black metal performance. Metal Music Studies, 4(2), 281–292.
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Mendoza, S., Varas-Díaz, N., Rivera-Segarra, E., & Vélez, C. (2018). Media representations of metal music in the Dominican Republic: Between oppression and social resistance. Metal Music Studies, 4(1), 197–208.
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Hill, R. L. (2018). Metal and sexism. Metal Music Studies, 4(2), 265–279.
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DeHart, C. (2018). Metal by numbers: Revisiting the uneven distribution of heavy metal music. Metal Music Studies, 4(3), 559–571.
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Seixas, L. C. (2018). Metal Extremo: Est??Tica ‌pesada” No Black Metal. Ph.D. thesis, Universidade Federal de Juiz de Fora, Juiz de Fora.
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Varas-Díaz, N., Azevedo, C., & Nevárez, D. (2018). Metal in Latin America. Metal Music Studies, 4(1), 131–135.
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O’Neill, A. (2018). Metal o niente. Milano: Sperling & Kupfer.
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O’Neill, A. (2018). Metal story. Vanves: Hachette.
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Kirner-Ludwig, M., & Wohlfarth, F. (2018). METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal. Metal Music Studies, 4(3), 403–432.
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