| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Rubio, Salva |
Metal extremo: 30 años de oscuridad (1981-2011) |
2011 |
|
|
|
| Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
| Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
| Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
| Wilson, Scott A. |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
2015 |
|
|
|
| Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
| Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
| Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
| Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
| dos Passos, Cristiano |
O metal extremo e a questão dos gêneros: a zona cinza e o princípio de contaminação |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
111-134 |
