| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Helden, Imke von |
Norwegian native art: cultural identity in Norwegian metal music |
2017 |
|
|
|
| Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
| Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
|
|
|
| Calvo, Manuela Belén |
Perspectiva indigenista en la música metal de Argentina |
2018 |
Metal Music Studies |
4 |
147-154 |
| Manea, Irina Maria |
Primal Roots: Ancestry and Race in Extreme Music Discourses |
2015 |
Proceedings of IAC-SSaH 2015: International Academic Conference on Social Sciences and Humanities in Prague 2015 |
|
185-193 |
| Heley, Jesse; Welsh, Marc |
Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands |
2017 |
Reanimating regions: culture, politics and performance |
|
26-45 |
| Torraga, Guillermo Sergio |
Rescate de la cultura andina en bandas de metal |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
106-112 |
| Faria, Fabio Coura de |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
2022 |
|
|
|
| Pack, Christian |
Salvadoran Metal and the Questioning of National Identity |
2015 |
|
|
|
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
