| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Knopke, Ekkehard |
Headbanging in Nairobi: The emergence of the Kenyan metal scene and its transformation of the metal code |
2014 |
Metal Music Studies |
1 |
105-125 |
| Chiu, Hsiang; de Seta, Gabriele |
Headbanging in Taiwan |
2017 |
Metal Music Studies |
3 |
335-343 |
| Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
| Verne, Markus |
Heavy Conditions: Power Metal in Madagascar |
2012 |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
|
37-47 |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Panzini, Ariel |
Heavy metal argentino: la clase del pueblo que no se rindió : análisis y diagnóstico del movimiento metalero argentino para la construcción de un marco teórico de entendimiento |
2018 |
|
|
|
| Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
| Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
| Sirino, Caio C. de Aguiar |
Heavy Metal Brasil na década de 1980: a rebelião headbanger nos subterrâneos da modernidade |
2012 |
|
|
|
| Heath, Douglas |
Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
230-239 |
