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Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
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Armao, F. (2021). The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan. Revue française de civilisation britannique, 26(3), s.p.
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Kallioniemi, K., & Kärki, K. (2009). The Kalevala, Popular Music, and National Culture. Popular Music, 13(2), 12.
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Hochhauser, S. (2011). The marketing of Anglo-identity in the North American hatecore metal industry. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 161–179). Durham: Duke University Press.
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Scott, N. (Ed.). (2010). The metal void: first gatherings. Oxford: Inter-Disciplinary Press.
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McGrath, B. (2015). The Othering Of Botswanan Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 206–218). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
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Pichler, P. (2017). The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century. Metal Music Studies, 3(1), 97–112.
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Tolvanen, H. (2006). The quiet past and the loud present: the Kalevala and heavy metal. Volume! La revue des musiques populaires, 5(2), 75–89.
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Saguar García, A. (2019). The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing down the gauntlet (pp. 93–106). London: Emerald.
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