| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Robertson, Wes |
Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene |
2022 |
Parergon |
39 |
79-104 |
| Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
| Hissen |
Score for a spatial composition |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
86-104 |
| Hamma, Amine; Trott, Brian |
Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
369-386 |
| Beach, James R.; Naron, Brian L.; Sutton, James D.; Tolin, James |
Rusted Metal: A Guide To Heavy Metal and Hard Rock Music in the Pacific Northwest (1970 – 1995) |
2019 |
|
|
|
| Makkonen, Markus; Strömsholm, Kim |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
2022 |
|
|
364 |
| Faria, Fabio Coura de |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
2022 |
|
|
|
| Weber, Joe |
Ronnie James Dio: the man on the silver mountain |
2024 |
Journal of Maps |
20 |
2349164 |
| Janotti Junior, Jeder |
Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. |
|
|
|
156 |
| Heaton, Brian J.; Naron, Brian L. |
Roads to Madness: The Touring History of Queensrÿche (1981-1997) |
2024 |
|
|
|
