| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Minore, Gito |
Producir metal. Autogestión, independencia, mainstream |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
27-32 |
| Reis Alecrim, Thales |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
2023 |
História e Cultura |
12 |
175-197 |
| Zapata, Alex |
Primer ataque sonoro-visual: Apropiación del metal en Santiago de Chile (1982-1993) |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
8-9 |
| Holm, Christoffer |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
2023 |
|
|
|
| Faingold, Noam. |
Portfolio of compositions and technical commentary |
2015 |
|
|
|
| Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
| James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
| Hoad, Catherine |
Polar Fate: Mapping Metal at the Southern Edge of the World |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Mora-Rioja, Arturo |
Poetry in English and Metal Music. Adaptation and Appropriation Across Media |
2023 |
|
|
|
| Harris, James |
Pleromaticatalyst. Ritual intoxication toward the universal field |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
106-121 |
