| Records |
| Author |
García Serrano. Marco Antonio |
Title  |
PIEL MESTIZA, MÁSCARAS BLANCAS. EL BLACK METAL MEXICANO: PROCESOS DE HIBRIDACIÓN, RACISMO Y BLANQUITUD |
Type |
Journal Article |
| Year |
2022 |
Publication |
Metal de Habla Hispana |
Abbreviated Journal |
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| Volume |
1 |
Issue |
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Pages |
60-66 |
| Keywords |
México; Black Metal; Whiteness; Racism |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2503 |
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| Author |
Baďurová, Barbora |
| Title |
Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia) |
Type |
Journal Article |
| Year |
2021 |
Publication |
Studia Polensia |
Abbreviated Journal |
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| Volume |
10 |
Issue |
1 |
Pages |
23-42 |
| Keywords |
Slovakian scene; European scenes; Slovakia; Philosophy |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2250 |
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| Author |
Tapia, Reynaldo |
| Title |
Perspectivas y Resistencias Musicales |
Type |
Journal Article |
| Year |
2023 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Bolivia |
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Thesis |
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| Publisher |
Ediciones Rincón |
Place of Publication |
La Paz |
Editor |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2482 |
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| Author |
Hofer, Dave |
| Title |
PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker |
Type |
Book Whole |
| Year |
2014 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Anthrax, Brutal Truth, Nuclear Assault, S.O.D. |
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| Publisher |
Handshake Inc. |
Place of Publication |
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Editor |
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| Language |
English |
Summary Language |
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Original Title |
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Series Title |
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Series Issue |
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Edition |
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| ISSN |
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ISBN |
1634438000, 978-1634438001 |
Medium |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2270 |
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| Author |
Lucas, Olivia R. |
| Title |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
Type |
Journal Article |
| Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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| Volume |
27 |
Issue |
4 |
Pages |
s.p. |
| Keywords |
Concert Lightning |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2384 |
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| Author |
Pikri, Zainal; Muthmainnah, Inna |
| Title |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
Type |
Book Whole |
| Year |
2022 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
VOB (band); Voice of Baceprot (band); Hijab; Islam; Gender; Women |
| Abstract |
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Thesis |
Bachelor's thesis |
| Publisher |
Universitat Islan Negeri Antasari Banjarmasin |
Place of Publication |
Banjarmasin |
Editor |
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| Language |
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Original Title |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2392 |
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| Author |
Carter, Molly |
| Title |
Perchten and krampusse: living mask traditions in austria and bavaria |
Type |
Book Whole |
| Year |
2016 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
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| Keywords |
Austria; Authenticity; Bavaria; Cultural heritage; Folklore; Heavy metal; Krampus; Masks; Perchten; Traditions |
| Abstract |
Two centuries-old mask traditions native to Austria and Bavaria enjoy ongoing popularity due to a creative mingling of old and new elements (heavy metal music and fireworks alongside hand-carved wooden masks and birch rod switches). The Krampus is the menacing companion of St. Nikolaus, who visits children on December 5 and 6, although nowadays groups of Krampusse may appear alone. The Perchten, who are associated with the magical female folk-figure Perchta, appear on January 5 and the week before. While the Perchten and Krampusse represent distinct traditions, their history has intersected at various points, and their contemporary manifestations share many elements, including a movement towards a “modern” aesthetic and the employment of such resources as tourist publicity and the internet to promote their appearances, educate the public, and network with each other. While the house visit was formerly the primary setting for these masked figures (or mummers), today it is the public parade.
These parades, while rooted in and resembling conventional display-custom performances marked by a static division between performer and spectator, actually consist of a kind of fluid, interactive ritual theater in which the partially improvised, partially scripted performances of masked figures and the responses of spectators shape one another. Contemporary manifestations of Perchten and Krampus traditions will be explored in light of the ongoing cultural dialogue between performers and non-performers who seek to define and interpret the tradition, and the interplay of academic and popular discourses surrounding invented tradition, Folklorismus (folklorism) and Rücklauf (feedback), and the nature of authenticity. Questions of cultural heritage “ownership” surface in the debates over form and meaning, while in the hands of the Perchten and Krampusse themselves, tradition emerges as an active process and collaborative artwork rather than a fixed commodity with boundaries which can be defined and navigated by outside observers. |
| Address |
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Thesis |
Ph.D. thesis |
| Publisher |
University of Sheffield (United Kingdom) |
Place of Publication |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2223 |
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| Author |
Ortiz Cuchivague, Karen |
| Title |
Paroxis Histérica un podcast feminista antirracista y decolonial. |
Type |
Magazine Article |
| Year |
2022 |
Publication |
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Abbreviated Journal |
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| Volume |
1 |
Issue |
1 |
Pages |
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| Keywords |
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| Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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| Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
Editor |
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| Language |
español |
Summary Language |
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Original Title |
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Edition |
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Medium |
PDF |
| Area |
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| Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2416 |
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| Author |
Busey, Sean D. |
| Title |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
Type |
Book Whole |
| Year |
2018 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
67 |
| Keywords |
Activism; American history; Censorship; Children; Communication and the arts; Conservativism; Heavy metal; PMRC; Political science; Social sciences |
| Abstract |
Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s. |
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University of Nevada |
Place of Publication |
Ann Arbor |
Editor |
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Series Title |
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Series Issue |
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Edition |
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ISBN |
978-0-438-17184-8 |
Medium |
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Expedition |
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Conference |
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| Notes |
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Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2206 |
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| Author |
Bernal, Manuel |
| Title |
Pantallas de un metal nuevo. Comunicación y cultura pesada |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
57-61 |
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Thesis |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
| Language |
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Edition |
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Expedition |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2148 |
| Permanent link to this record |
