| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
| Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
| McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
| Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
| Verne, Markus |
Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar |
2021 |
Die Handlungsmacht ästhetischer Objekte |
|
167-196 |
| Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
| Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
| Johnson, Henry |
Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) |
2014 |
Island Studies Journal |
9 |
176-178 |
| Davis, Jessie E. |
Music Therapists' Perspectives on the Use of Heavy Metal Music in Music Therapy |
|
|
|
|
| Castro, Álvaro Leonel de Oliveira; Rezende, Daniel Carvalho de |
Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes |
2023 |
Poetics |
99 |
101803 |
