| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Wong, Cynthia P. |
”A dream return to Tang Dynasty”: masculinity, male camaraderie, and Chinese heavy metal in the 1990s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
63-85 |
| Heesch, Florian |
Die wilde Jagd als Identitätskonstruktion im Black Metal |
2011 |
Eddische Götter und Helden. Milieus und Medien ihrer Rezeption |
|
335-366 |
| Wallach, Jeremy; Berger, Harris M.; Greene, Paul D. |
Affective overdrive, scene dynamics, and identity in the global metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
3-33 |
| Weinstein, Deena |
The globalization of metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
34-62 |
| Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
| Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
| Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
| Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
| Hagen, Ross |
Musical style, ideology, and mythology in Norwegian black metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
180-199 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
