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| Author | Mattson, Douglas | ||||
| Title | Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] | Type  |
Book Chapter | ||
| Year | 2022 | Publication | Blasfemi, heresi, kätteri, apostasi | Abbreviated Journal | |
| Volume | Issue | Pages | 119-131 | ||
| Keywords | Blasphemy; Turkey; Non-Western scenes; Black metal | ||||
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| Corporate Author | Thesis | ||||
| Publisher | Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner | Place of Publication | Istambul | Editor | Sorgenfrei, Simon; Mattson, Douglas |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2395 | ||
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| Author | Burns, Lori | ||||
| Title | Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) | Type |
Book Chapter | ||
| Year | 2023 | Publication | Analyzing Recorded Music: Collected Perspectives | Abbreviated Journal | |
| Volume | Issue | Pages | 323–338 | ||
| Keywords | The Gathering (band); Madylion (album); Female artists; Singing; Musicology | ||||
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| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Editor | Moylan, William; Burns, Lori; Alleyne, Mike | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2396 | ||
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| Author | Burns, Lori | ||||
| Title | Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) | Type |
Book Chapter | ||
| Year | 2020 | Publication | Popular Musicology and Identity: Essays in Honour of Stan Hawkins | Abbreviated Journal | |
| Volume | Issue | Pages | 196–217 | ||
| Keywords | Masculinity; Pain of Salvation (band); Disease | ||||
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| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Editor | Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2398 | ||
| Permanent link to this record | |||||
| Author | Burns, Lori | ||||
| Title | Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus | Type |
Book Chapter | ||
| Year | 2019 | Publication | The Bloomsbury Handbook to Popular Music Video Analysis | Abbreviated Journal | |
| Volume | Issue | Pages | 183-200 | ||
| Keywords | Dark Tranquility (band); Videoclips; Extreme metal | ||||
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| Corporate Author | Thesis | ||||
| Publisher | Bloomsbury Academic | Place of Publication | Editor | Burns, Lori; Hawkins, Stan | |
| Language | Summary Language | Original Title | |||
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| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2399 | ||
| Permanent link to this record | |||||
| Author | Castillo Bernal, Stephen | ||||
| Title | El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. | Type |
Book Chapter | ||
| Year | 2016 | Publication | Atlas Etnográfico de los Mundos Contemporáneos | Abbreviated Journal | |
| Volume | 1 | Issue | Pages | 83-117 | |
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| Abstract | La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera. | ||||
| Address | www.edicionesnavarra.com | ||||
| Corporate Author | Thesis | ||||
| Publisher | Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra | Place of Publication | Ciudad de México | Editor | de la Peña Martínez, Francisco |
| Language | español | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-607-9497-08-8 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Primera edición | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2404 | ||
| Permanent link to this record | |||||
| Author | Castillo Bernal, Stephen | ||||
| Title | ¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. | Type |
Book Chapter | ||
| Year | 2020 | Publication | Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. | Abbreviated Journal | |
| Volume | Issue | Pages | 113-134 | ||
| Keywords | Análisis etnográfico, simbólico e imaginario sobre el metal cristiano en México; Etnomusicología; Música–Aspectos sociales–México; Música y globalización–Aspectos sociales-México; Música popular mexicana–Aspectos sociales. | ||||
| Abstract | El heavy metal es un movimiento cultural que inició en la década de 1970. Este estilo musical periférico ha sido estigmatizado por gran parte de la sociedad, tachándolo de simple, de burdo, de satánico (Christe, 2004). De la misma forma, se ha estereotipado a sus fanáticos, dando por supuesto que se trata de drogadictos o delincuentes (Singer, Levi y Jou, 1993). Y, sin embargo, el heavy metal sigue siendo uno de los referentes musicales más socorridos entre las juventudes contemporáneas (Santos, 2016). Algo característico de esta escena musical, independientemente del subgénero, es su asociación con temas transgresores. El más característico es el cuestionamiento de los metarrelatos, como la religión judeocristiana o la política. A pesar de que existen muchas propuestas ideológicas, musicales y vocales dentro del heavy metal, el tocar temas tabú de la sociedad es algo fundamental de este género musical, por lo cual muchos jóvenes, en su época contestataria y rebelde, lo adoptan, casi siempre para no abandonarlo nunca más. En este trabajo delinearé parte de los cimientos del heavy metal cristiano. Esta vertiente del heavy metal, a pesar de encontrarse dentro del movimiento planetario metalero, se estructura en función de su filiación cristiana, esto es, sus líricas aluden a Dios, a sus hazañas en la Tierra y a la lucha contra los pecados y la maldad del mundo. Pareciera ser que este tipo de ideología es impensable en el mundo del heavy metal, sobre todo porque éste se ha asociado erróneamente con el satanismo y con los temas tabú. Sin embargo, la música en sí misma del metal cristiano es transgresora, ya que las agrupaciones de este subgénero pueden especializarse en death, power, thrash o doom, o incluso en black metal, con sonidos y vocales que, definitivamente, alguien que no sea partícipe del movimiento lo tacharía de satánico. Este trabajo será apuntalado mediante la mirada etnográfica realizada en el pasado XV Éxodo Metal Fest, festival musical celebrado en la montaña de La Malinche, en Tlaxcala, en abril de 2017. Este evento de metal al aire libre congrega a diferentes bandas de metal cristiano y a diversos seguidores del movimiento espiritual. Las pautas identitarias de los músicos, de los fans y de los organizadores serán utilizadas para perfilar un estudio más profundo de un movimiento que, desde mi punto de vista, constituye otra representación underground de lo underground. |
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| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | El Colegio de la Frontera Norte (El Colef) | Place of Publication | Tijuana, Baja California, México | Editor | Coordinación editorial: Érika Moreno Páez |
| Language | español | Summary Language | Original Title | ||
| Series Editor | Olmos Aguilera, Miguel (coordinator) | Series Title | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-607-479-348-2 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2406 | ||
| Permanent link to this record | |||||
| Author | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther | ||||
| Title | Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies | Type |
Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 1-6 | ||
| Keywords | Global South | ||||
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| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | London | Editor | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2422 | ||
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| Author | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther | ||||
| Title | Metal Music in the Distorted South: A Call for Defiance and Reflection | Type |
Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 9-30 | ||
| Keywords | Global South; Politics; Inequality | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | London | Editor | |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2423 | ||
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| Author | González-Martínez, Susana | ||||
| Title | An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South | Type |
Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 33-66 | ||
| Keywords | Global South; Women; Feminism | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | London | Editor | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2424 | ||
| Permanent link to this record | |||||
| Author | Goossens, Didier | ||||
| Title | Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music | Type |
Book Chapter | ||
| Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
| Volume | Issue | Pages | 67-90 | ||
| Keywords | Aotearoa (New Zealand); Indigenity; Education; Experimentation | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Lexington Books | Place of Publication | London | Editor | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2425 | ||
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