| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Raditya, Ardhie |
Membunuh Tradisi‘: Adegan Musik Metal Dan Subkultur Madura [Killing Tradition: Metal Music Scenes And Madurese Subcultures] |
2021 |
Sosial : Jurnal Penelitian Ilmu-Ilmu Sosial [Social: Journal of Social Sciences Research] |
22 |
31-42 |
|
|
|
Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
|
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Evangelista Ávila, Iram Isaí |
La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal |
2021 |
Impossibilia. Revista Internacional de Estudios Literarios |
21 |
237-261 |
|
|
|
Coggins, Owen |
Ecology, Estrangement and Enchantment in Black Metal's Dark Haven |
2021 |
Green Letters. Studies in Ecocriticism |
t.b.c. |
|
|
|
|
Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
|
|
|
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
|
