| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Aloe, Federico; Mailén, Ludmila |
Crear es resistir, resistir es crear. Un documental de Raza Truncka. |
2021 |
|
|
15'14" |
|
|
|
Córdoba, Jesús |
Metaleras feministas (Feminist Metalheads) |
2021 |
Metal to the Bone |
|
1-4 |
|
|
|
Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Maguire, Donald |
Determinants of the number of heavy metal musicians per capita |
2021 |
Metal Music Studies |
7 |
1-41 |
|
|
|
Martínez, Susana González; Varas-Díaz, Nelson |
Heavy metal music as communal intervention: Experiences and challenges in the context of the metal-academia dyad in Jaén, Spain |
2021 |
Metal Music Studies |
7 |
7-26 |
|
|
|
Hedge Olson, Benjamin |
Burzum shirts, paramilitarism and National Socialist Black Metal in the twenty-first century |
2021 |
Metal Music Studies |
7 |
27-42 |
|
|
|
Thomson, Andrew |
Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject |
2021 |
Metal Music Studies |
7 |
43-60 |
|
|
|
Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
|
|
|
Taylor, Steve |
Channelling the darkness: Group flow and environmental expression in the music of Black Sabbath and Joy Division |
2021 |
Metal Music Studies |
7 |
85-102 |
|
|
|
Panayotov, Stanimir |
Black noise ruins: Notes after Locrian’s Rain of Ashes |
2021 |
Metal Music Studies |
7 |
103-114 |
|
