| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Vunić, Krešimir |
Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis) |
2021 |
Studia Polensia |
10 |
115-139 |
| Suran, Tiziano |
Beyond the Expression of Nihilism in Black Metal |
2021 |
Studia Polensia |
10 |
141-148 |
| Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
| Tontsch, Katharina |
Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal |
2021 |
|
|
|
| Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Arenillas Meléndez, Sara |
Negociaciones de la masculinidad en el heavy español de los ochenta |
2021 |
Feminismo/s |
38 |
261-279 |
| Jeray, Celina |
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal |
2021 |
Anglica. An International Journal of English Studies |
30 |
171-190 |
| Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda (eds) |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics |
2021 |
|
|
|
| Pilo, Baptiste |
Émergence et essor du black metal en Norvège entre 1991 et 1999. Histoire, idéologie, musique |
2021 |
|
|
|
