Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Sabbath, J. (2021). Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021. Sogamoso, Boyacá, Republic of Colombia: Nixx Editores.
Abstract: El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años.
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Apter, J. (2021). Bad Boy Boogie: The true story of AC/DC legend Bon Scott. Australia: Allen & Unwin.
Abstract: “Bad Boy Boogie is the first biography to focus on Bon's remarkable gifts as a lyricist, frontman and rascal. In short, the real Bon Scott.” (Source: Allen & Unwin)
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Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
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Moores, J. R. (2021). Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present. London, U.K.: Reaktion Books.
Abstract: "It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way.
Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music." (source: Reaktion Books)
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Calvo, M. (2021). Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos. Tropos: Comunicação, Sociedade e Cultura, 10(2), s.p.
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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Archer-Capuzzo, S. (2021). Mining For Metal: Heavy Metal and the Music Library. Music Library Association, 78(1), 7–26.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Hudson, S. S. (2021). Compound AABA Form and Style Distinction in Heavy Metal. Music Theory Online, 27(1), n.p.
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