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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Sabbath, J. (2021). Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021. Sogamoso, Boyacá, Republic of Colombia: Nixx Editores.
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Apter, J. (2021). Bad Boy Boogie: The true story of AC/DC legend Bon Scott. Australia: Allen & Unwin.
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Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
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Moores, J. R. (2021). Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present. London, U.K.: Reaktion Books.
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Calvo, M. (2021). Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos. Tropos: Comunicação, Sociedade e Cultura, 10(2), s.p.
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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Archer-Capuzzo, S. (2021). Mining For Metal: Heavy Metal and the Music Library. Music Library Association, 78(1), 7–26.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Hudson, S. S. (2021). Compound AABA Form and Style Distinction in Heavy Metal. Music Theory Online, 27(1), n.p.
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