| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Lucas, Olivia R. |
“Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band |
2021 |
Popular Music |
40 |
263-280 |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Apter, Jeff |
Bad Boy Boogie: The true story of AC/DC legend Bon Scott |
2021 |
|
|
296 |
| Beauchamp, Caroline |
Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework |
2021 |
|
|
|
| Moores, JR |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
2021 |
|
|
480 |
| Calvo, Manuela |
Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos |
2021 |
Tropos: Comunicação, Sociedade e Cultura |
10 |
s.p. |
| Pérez Pelayo, Marisol |
El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal |
2021 |
Lenguas Radicales |
1 |
7-18 |
| Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
| Lucas, Olivia R. |
Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show |
2021 |
Music Theory Online |
27 |
s.p. |
| Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
