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Kjellander Hellqvist, E. (2023). ”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom]. HumaNetten, 50, 76–91.
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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Beach, J., R., & Naron, B. L. (2024). Beyond the Black: The Story of Metal Church. Puyallup, WA: NW Metalworx Music.
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Heaton, B. J., & Naron, B. L. (2024). Roads to Madness: The Touring History of Queensrÿche (1981-1997). Puyallup, WA: NW Metalworx Music.
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Beach, J. R., Naron, B. L., & Heaton, B. J. Building An Empire: The Story of Queensrÿche. Puyallup, WA: NW Metalworx Music.
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Beach, J. R., Naron, B. L., Sutton, J. D., & Tolin, J. (2019). Rusted Metal: A Guide To Heavy Metal and Hard Rock Music in the Pacific Northwest (1970 – 1995).. Puyallup, WA: NW Metalworx Music.
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Zapata, A. (2003). La voz en los ochenta. Nuevos estilos al baile. Pensamiento Crítico: Revista Electrónica de Historia, (3). Retrieved June 6, 2024, from https://mydokument.com/la-voz-en-los-ochenta-nuevos-estilos-al-baile.html
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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Hannan, C. C. (2022). Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”. Music Theory Online, 28(1), s.p.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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