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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Beckwith, Karl |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
2002 |
Colour |
5 |
n.-p. |
|
|
|
Pikri, Zainal; Muthmainnah, Inna |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
2022 |
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|
|
|
|
|
Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
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|
|
|
|
|
Yrivarren Valverde, Sara Dessiree |
Construcción de los discursos de feminidad en la escena metalera limeña: Caso de la banda Strogena |
2022 |
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|
|
|
|
Uriarte Trancon, Camilo |
La Chakalidad en el grupo Hadez 1988-2000: discursos de autenticidad en la producción musical del metal extremo peruano. |
2021 |
|
|
104 |
|
|
|
Volák, Vojtěch |
Stávání se tíhou: Filozofie diference a metalová hudba [Becoming Heaviness: Philosophy of Difference and Metal Music] |
2021 |
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|
|
Herrera Díaz, Francisco Augusto |
Metal colombiano: los sonidos de un país en guerra |
2017 |
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Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
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|
Büttner, Christoph A.; Wehmeier, Henrik |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen” |
2022 |
ffk Journal |
7 |
15-36 |
|
|
|
Jordan, James Boddington |
Harmonic Structures of 21st Century Heavy Metal |
2021 |
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