| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Whalen, Kayley Margarite |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
162-178 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
|
|
|
States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
|
|
|
Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
|
|
|
Korczyński, Tomasz Michał |
The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects |
2021 |
Journal of Modern Science |
46 |
73-91 |
|
|
|
Angeler, David |
Heavy Metal Music Meets Complexity and Sustainability Science |
2017 |
SpringerPlus |
5 |
1-20 |
|
|
|
Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
|
|
|
|
Guberman, Daniel |
Teaching intercultural competence through heavy metal music |
2020 |
Arts and Humanities in Higher Education |
20 |
115-132 |
|
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Yildirim, Yavuz |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
2023 |
Sociology Compass |
17 |
e13122 |
|
