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Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
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Manea, I. - M. (2016). Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community. Sociology and Anthropology, 4(2), 82–91.
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Cheung, O. W. J. (2016). Heavy metal music lyrics: identity construction and social struggle. Ph.D. thesis, Hong Kong Polytechnic University, Hong Kong.
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Alarcón Ruiz, J. C. (2017). CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017. Bachelor's thesis, Federico Villarreal National University, Lima, República del Perú. Retrieved June 28, 2024, from http://repositorio.unfv.edu.pe/bitstream/handle/UNFV/3804/UNFV_Alarc%C3%B3n%20Ruiz_Juan%20Carlos_T%C3%ADtulo%20Profesional_Antropolog%C3%ADa_2019.pdf?sequence=1&isAllowed=y
Abstract: This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture.
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Grant, S. (2016). From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives. Metal Music Studies, 2(2), 215–232.
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Calvo, M. B. (2016). Almafuerte: Metal pesado argento and its construction of Argentinian nationalism. Metal Music Studies, 2(1), 21–38.
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Tolvanen, H. (2006). The quiet past and the loud present: the Kalevala and heavy metal. Volume! La revue des musiques populaires, 5(2), 75–89.
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Armao, F. (2021). The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan. Revue française de civilisation britannique, 26(3), s.p.
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Kauppila, O. S. (2020). “Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal. Master's thesis, University of Helsinki, Helsinki.
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Deeks, M. D. (2016). National Identity in Northern and Eastern European Heavy Metal. Ph.D. thesis, University of Leeds, Leeds.
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