| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
|
Manea, Irina-Maria |
Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community |
2016 |
Sociology and Anthropology |
4 |
82-91 |
|
|
|
Cheung, Oi Wun Joyce |
Heavy metal music lyrics: identity construction and social struggle |
2016 |
|
|
|
|
|
|
Alarcón Ruiz, Juan Carlos |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
2017 |
|
|
316 |
|
|
|
Grant, Sam |
From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives |
2016 |
Metal Music Studies |
2 |
215-232 |
|
|
|
Calvo, Manuela Belén |
Almafuerte: Metal pesado argento and its construction of Argentinian nationalism |
2016 |
Metal Music Studies |
2 |
21-38 |
|
|
|
Tolvanen, Hannu |
The quiet past and the loud present: the Kalevala and heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
75-89 |
|
|
|
Armao, Frédéric |
The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan |
2021 |
Revue française de civilisation britannique |
26 |
s.p. |
|
|
|
Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
|
|
|
|
|
|
Deeks, Mark David |
National Identity in Northern and Eastern European Heavy Metal |
2016 |
|
|
|
|
