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Frangioni, T., Masina, F., Pieroni, G., & Venturella, M. (2018). Son(g)s of Darkness: Identities in Italian Black Metal. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 71–94). Cambridge: Cambridge Scholars Publishing.
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Norman, J. (2018). From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 117–140). Cambridge: Cambridge Scholars Publishing.
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Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
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Christensen, A. (2019). Making Heritage Metal: Faroese Kvæði and Viking Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 107–120). London: Emerald.
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Whitting, S., Klimentou, P., & Rogers, I. (2019). ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive. In C. Hoad (Ed.), Australian Metal Music (pp. 55–70). London: Emerald.
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Overell, R. (2019). ‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others. In C. Hoad (Ed.), Australian Metal Music (pp. 71–90). London: Emerald.
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Glitsos, L. (2019). Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime. In C. Hoad (Ed.), Australian Metal Music (pp. 91–110). London: Emerald.
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Spracklen, K. (2019). Afterword. Being Metal, Being Australian? Reflections and an Afterword. In C. Hoad (Ed.), Australian Metal Music (pp. 145–148). London: Emerald.
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Calvo, M. (2014). Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte. In M. C. Dalmagro, & A. Parfeniuk (Eds.), Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística (pp. 120–137). Córdoba: Buena Vista Editores.
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Hoad, C. (2013). ’Hold the Heathen Hammer High’ Viking metal from the local to the global. In O. Wilson, & S. Attfield (Eds.), Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. (pp. 62–70). Dunedin: International Association for the Study of Popular Music.
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