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Marstal, H. (2021). Mercyful Fate's “Don't Break the Oath”. New York: Bloomsbury.
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Radovanović, B. (2021). Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies. In B. Radovanović, M. Bralović, M. Radivojević, D. L. Mihajlović, & I. Medić (Eds.), Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity (pp. 97–110). Belgrade: Institute of Musicology SASA.
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Swist, J. J. (2021). Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music. In E. Künyeleri (Ed.), İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! (pp. 200–229). Istanbul: İstanbul Araştırmaları Enstitüsü Yayınları.
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Verne, M. (2021). Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar. In A. Schlitte, M. Verne, & G. Wedekind (Eds.), Die Handlungsmacht ästhetischer Objekte (pp. 167–196). Berlin: De Gruyter.
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Medina, J. S. (2017). Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music. self published: Amazon.
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Marjenin, P. A. (2014). The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani. Master's thesis, Kent State University, Kent.
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Reis Alecrim, T. (2021). The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987). Master's thesis, Universidade de São Paulo, São Paulo.
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LeVine, M. (2022). We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World. University of California Press: Oakland.
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Thomas, S. (2022). The Devil's Party. Metal and Literature. In R. Durkin, P. Dayan, A. Englund, & K. Clausius (Eds.), The Routledge Companion to Music and Modern Literature (pp. 406–415). London: Routledge.
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Hofer, D. (2014). PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker. Handshake Inc.
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