| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
| Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
| Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
| Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
| Sikes, Laura |
In the Groove: American Rock Criticism, 1966-1978 |
2017 |
|
|
390 |
| Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
| Wang, Chi-Chung. |
Subcultural Distinction in East Asian Education : the Case of High School Rock in Taiwan |
2017 |
|
|
|
