| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
| Dairianathan, Eugene |
Vedic metal and e-mediated space: a perspective from Singapore |
2013 |
Asian Journal of Communication |
23 |
348-367 |
| Hoad, Catherine; Whiting, Samuel |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal |
2017 |
M/C Journal |
20 |
n..p. |
| Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
| Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
| Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
| Radovanović, Bojana |
Ideologies and Discourses: Extreme Narratives in Extreme Metal Music |
2016 |
AM Journal of Art and Media Studies |
10 |
51-58 |
| Dairianathan, Eugene I. |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity |
2009 |
Inter-Asia Cultural Studies |
10 |
585-608 |
| Radovanović, Bojana |
Extreme Sound, “Extreme” Lifestyle? Investigating Cattle Decapitation’s Stance on the Human Impact on the Environment and Animal Rights |
2021 |
Studia Polensia |
10 |
43-58 |
| Swiniartzki, Marco |
Working metal musicians: A case of transition in the long 1980s |
2023 |
Metal Music Studies |
9 |
59-75 |
