| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Mccombe, John |
Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985 |
2016 |
Metal Music Studies |
2 |
405-411 |
| James, Kieran; Tolliday, Christopher |
Metallica: Structural Change in the Music Industry: A Marxist Critique of Public Statements made by Members of Metallica during the Lawsuit against Napster |
2017 |
International Journal of Critical Accounting |
1 |
144-176 |
| Berkers, Pauwke; Schaap, Julian |
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers |
2015 |
Metal Music Studies |
1 |
303-318 |
| Messick, Kyle J. |
Metal for the masses: How indie metal labels have adapted for the digital era |
2021 |
La route vers l'indépendance. L'industrie musicale en transition |
|
|
| Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
| Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
|
| Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
|
|
|
| Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
| Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
| Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
