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Kinnunen, M., & Honkanen, A. (2021). Femininity in metal fanship: “I do not need to take anyone along”. Metal Music Studies, 7(2), 211–235.
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Sackl-Sharif, S. (2021). The dark side of blogging: Digital metal communities and metal influencers. Metal Music Studies, 7(2), 237–255.
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Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
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Hannan, C. (2021). Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper”. Metal Music Studies, 7(2), 277–297.
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Mora-Rioja, A. (2021). “We Are the Dead”: The War Poets, metal music and chaos control. Metal Music Studies, 7(2), 299–315.
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Doesburg, C. (2021). Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics. Metal Music Studies, 7(2), 317–333.
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Burns, L. A., & Armstrong, P. (2021). Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000). Metal Music Studies, 7(3), 357–382.
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Deacon, D. (2021). “Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero. Metal Music Studies, 7(3), 383–397.
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Rietveld, H. C., & Monroe, A. (2021). Gabber: Raising hell in technoculture. Metal Music Studies, 7(3), 399–421.
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Thomas, N. (2021). Innovation and tradition in metal music production. Metal Music Studies, 7(3), 423–443.
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