| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Juniper, Steff |
Disabled Drone: Trans-Feminist Noisecraft |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
52-65 |
| Messick, Kyle J. |
The Psychology of Metal Music, Culture, and Dis/ability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
66-79 |
| Quinn, Kate; Barton, Samantha |
Neurodiversity and Heavy Metal Music |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
80-94 |
| Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
| Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
| States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
| Whalen, Kayley Margarite |
Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
162-178 |
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
| Möller, Lena |
“Loads of love to all the Roadburn family”. Gemeinschaftsbildung auf einem virtuellen Festival während der Covid-19-Pandemie |
|
Superspreader – Popkultur und mediale Diskurse im Angesicht der Pandemie |
|
277-290 |
