| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Wallach, Jeremy |
“Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. |
2003 |
Global Pop, Local Language |
|
53-86 |
|
|
|
Coggins, Owen |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
2021 |
Isn't it Ironic? Irony in Contemporary Popular Culture |
|
|
|
|
|
Messick, Kyle J. |
Metal for the masses: How indie metal labels have adapted for the digital era |
2021 |
La route vers l'indépendance. L'industrie musicale en transition |
|
|
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
|
|
|
Coggins, Owen; Harris, James (eds) |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
2017 |
|
|
|
|
|
|
Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
|
|
|
Coggins, Owen |
A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy |
2017 |
Urban Monstrosities: Perversity and Upheaval in the Unreal City |
|
108-127 |
|
|
|
Coggins, Owen |
Nationalist Black Metal, Black Metal Nation |
2014 |
Writing Difference: Literature, Identity and Nationalism |
|
460-481 |
|
|
|
Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
|
|
|
Barchi, Rodrigo (ed) |
Diálogos com a música extrema |
2021 |
|
|
|
|
