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Baker, C., & Brown, B. (2016). Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis. Journal of Medical Humanities, 37, 1–17.
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Davis, A. B., & Sangster, M. (2023). “Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal. European Romantic Review, 34(3), 291–302.
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Swiniartzki, M. (2021). Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994). Journal of Popular Music Studies, 33(3), 168–193.
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Hosman, S. S. (2019). Gender inequality in metal music production (book review). Gender & Society, 33(4), 652–654.
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Rivero-Vadillo, A. (2024). “An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene. Complutense Journal of English Studies, 32, e81707.
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Mokrý, M. (2023). The conference “Metal and Religion”, 7-8 September 2022, Brno. Religio, 31(1), 153–156.
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Nenadalová, J., & Menšíková, T. (2022). “Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies. Religio: Revue pro religionistiku, 30(1), 77–80.
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Jeray, C. (2021). Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal. Anglica. An International Journal of English Studies, 30(1), 171–190.
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Vrzal, M. (2022). Czech Metal Studies: 5 Years of the Study of Metal (and Religion). Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 6–22.
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Fejes, J. (2022). The Variety of Similarity: Hungarian High Literature, History, and Folklore in the Lyrics of Dalriada. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 23–38.
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