| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
| Kahn-Harris, Keith |
Introduction: The Next Steps in the Evolution of Metal Studies |
2016 |
Heavy Metal Studies and Popular Culture |
|
1-18 |
| Kahn-Harris, Keith |
”Coming Out”: Realising the Possibilities of Metal |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
26-38 |
| Kahn-Harris, Keith |
A Reply to Scott and O’Boyle |
2016 |
Global metal music and culture: current directions in metal studies |
|
343-350 |
| Brown, Andy R.; Spracklen, Karl; Kahn-Harris, Keith; Scott, Niall W.R. |
Introduction: Global Metal Music and Culture and Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
1-21 |
| Kahn-Harris, Keith |
Landfill Metal: The Ironies Of Mediocrity |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
434-444 |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
Introduction: Heavy metal as controversy and counterculture |
2013 |
Heavy metal: controversies and countercultures |
|
1-16 |
| Kahn-Harris, Keith |
How diverse should metal be? The case of Jewish metal, overt and covert jewishness |
2012 |
Reflections in the Metal Void |
|
39-48 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
| Kahn-Harris, Keith |
How diverse should metal be? The case of Jewish metal, overt and covert jewishness |
2010 |
The metal void: first gatherings |
|
95-104 |
