| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Martínez García, Silvia |
Decibelios y testosterona: una aproximación a las imágenes de género en el rock y el heavy metal |
2003 |
Dossiers feministes |
7 |
101-117 |
| Krenske, Leigh; McKay, Jim |
’Hard and heavy’: Gender and power in a heavy metal music subculture |
2000 |
Gender, Place and Culture; Abingdon |
7 |
287-304 |
| Córdoba, Jesús Antonio; Cuchivague, Karen Ortiz |
Female participation in Colombian metal: An initial approach |
2021 |
Metal Music Studies |
7 |
159-170 |
| Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
| Tzu-Han Cheng; Chen-Gia Tsai |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
2016 |
Frontiers in Psychology |
7 |
art. 182 |
| Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
| Hassan, Nedim |
”Girls, girls, girls”? The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years |
2011 |
Popular Music History |
5 |
243-263 |
| Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
| Shadrack, Jasmine |
Mater omnium and the cosmic womb of the abyss: Nomadic interiorities and matrifocal black metal performance |
2018 |
Metal Music Studies |
4 |
281-292 |
| DiGioia, Amanda; Helfrich, Lyndsay |
‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein |
2018 |
Metal Music Studies |
4 |
365-374 |
