| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Koplow Villavicencio, Jan |
More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model |
2023 |
SEM Student News |
19 |
|
| Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
| Yildirim, Yavuz |
Heavy metal in Turkey: Tracking the tensions of democratization in the 1990s |
2023 |
Sociology Compass |
17 |
e13122 |
| Pichler, Peter |
To the sources! On historical source criticism in metal studies |
2023 |
Popular Music History |
15 |
54–77 |
| Stašová, Gabriela; Vrzal, Miroslav; Nenadalová, Jana |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
2022 |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
14 |
101-121 |
| Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
| Rivero-Vadillo, Alejandro |
Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics |
2022 |
Ecozon@ |
13 |
106-124 |
| Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
| Núñez, María de la Luz |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
2023 |
UCOARTE. Revista De Teoría E Historia Del Arte |
12 |
236–260 |
| Reis Alecrim, Thales |
PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
2023 |
História e Cultura |
12 |
175-197 |
