| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Spracklen, Karl |
Metal Music and the Re imagining of Masculinity, Place, Race and Nation |
2020 |
|
|
|
| Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel (eds) |
Heavy Metal Music In Argentina: in black we are seen |
2020 |
|
|
|
| Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
| Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
| Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
| Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
| Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
| Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
| Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
| Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
