| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
| Heesch, Florian; Scott, Niall (eds) |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
2016 |
|
|
|
| Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
| DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Weinstein, Deena |
The empowering masculinity of British heavy metal |
2009 |
Heavy metal music in Britain |
|
17-32 |
| Sarelin, Mikael |
Masculinities within black metal: heteronormativity, protest masculinity or queer? |
2010 |
The metal void: first gatherings |
|
61-70 |
| Heesch, Florian |
Metal for Nordic men? Amon Amarth’s representation of Vikings |
2010 |
The metal void: first gatherings |
|
71-81 |
| Wallach, Jeremy |
Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore |
2011 |
Metal rules the globe: heavy metal music around the world |
|
86-105 |
| Bartosch, Roman |
Kanon-Subversion und Geschlechts(de)konstruktion in den Lyrics von Cradle Of Filth |
2011 |
Heavy Metal Studies: Lyrics und Intertextualität |
|
124-140 |
