| Records |
| Author |
Ortiz Cora, Laila Erendira |
| Title |
SUJETOS EN EL METAL: SCARICACIOTTOLI Y GALICIA POBLET. ESCRITURAS DESDE EL LABERINTO DEL METAL HISPANO |
Type |
Journal Article |
| Year |
2022 |
Publication |
Metal de Habla Hispana |
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Volume  |
1 |
Issue |
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Pages |
108-112 |
| Keywords |
Metal Studies; Spanish language |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2510 |
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| Author |
Bernal, Manuel |
| Title |
MURMULLOS INQUIETANTES EN LA ORILLA. IMPRESIONES EN TORNO A LA VITALIDAD DE UN DEBATE |
Type |
Journal Article |
| Year |
2022 |
Publication |
Metal de Habla Hispana |
Abbreviated Journal |
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| Volume |
1 |
Issue |
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Pages |
113-117 |
| Keywords |
Metal Studies |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2511 |
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| Author |
Gregof, Nancy |
| Title |
ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA |
Type |
Journal Article |
| Year |
2022 |
Publication |
Metal de Habla Hispana |
Abbreviated Journal |
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| Volume |
1 |
Issue |
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Pages |
118-121 |
| Keywords |
Gender; Feminism; Latin America |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2512 |
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| Author |
Burke, David |
| Title |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
| Year |
2016 |
Publication |
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Issue |
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Pages |
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| Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
| Abstract |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
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Thesis |
Bachelor's thesis |
| Publisher |
University of Southampton |
Place of Publication |
Southampton |
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| Language |
en |
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| Notes |
BA (History) Degree |
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
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| Author |
Lopes, Pedro Alvim Leite |
| Title |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
Type |
Book Whole |
| Year |
2006 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
204 |
| Keywords |
Non-Western scenes; Brazil; REligion |
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Thesis |
Ph.D. thesis |
| Publisher |
Universidade Federal do Rio de Janeiro |
Place of Publication |
Rio de Janeiro |
Editor |
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PDF |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ lopes_heavy_2006 |
Serial |
986 |
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| Author |
Castillo Bernal, Stephen |
| Title |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
Type |
Book Whole |
| Year |
2015 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
343 |
| Keywords |
Ritual Theory; Imaginarios sociales; Mexico City; Antropología; Heavy Metal Music; Satanism; Mexico; Sociology; Non-Western scenes; Imaginary; Aspectos sociales – México (Ciudad); Heavy metal (Música)–México–Historia; Tribus urbanas – Aspectos simbólicos – México (Ciudad); Conciertos (Heavy metal); Aspectos socioculturales–México (Ciudad). |
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Thesis |
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| Publisher |
Instituto Nacional de Antropología e Historia |
Place of Publication |
Mexico |
Editor |
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| Language |
Spanish |
Summary Language |
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Series Title |
Colección Etnología y Antropología Social |
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978-607-484-709-3 |
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https://worldcat.org/title/953587169?oclcNum=953587169 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ castillo_bernal_musica_2015 |
Serial |
1578 |
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Journal Article |
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UCM - CAM @ amaranta.saguar.garcia @ aguirre_politica_2013 |
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1596 |
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| Author |
Olavarría Ginocchio, Ricardo |
| Title |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
Type |
Book Whole |
| Year |
2019 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
153 |
| Keywords |
Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
| Abstract |
La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
| Address |
Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
| Corporate Author |
Pontificia Universidad Católica del Perú |
Thesis |
Master's thesis |
| Publisher |
Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
Editor |
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| Language |
Spanish |
Summary Language |
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| Notes |
Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2280 |
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| Author |
Alarcón Ruiz, Juan Carlos |
| Title |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
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Book Whole |
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2017 |
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Pages |
316 |
| Keywords |
Youth culture; identity; subculture; cultural construction; metal music |
| Abstract |
This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture. |
| Address |
https://web2.unfv.edu.pe/sitio/ |
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Thesis |
Bachelor's thesis |
| Publisher |
Federico Villarreal National University |
Place of Publication |
Lima, República del Perú |
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Spanish |
Summary Language |
English |
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| Notes |
Licenciado en Antropología. |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2281 |
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| Author |
Yépez Aguirre, Jimmy Renzo |
| Title |
La Metaldad y el Habitus y Metalicus en la ciudad de Lima 1994-2014 |
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Journal Article |
| Year |
2019 |
Publication |
Pluriversidad, the academic journal of Vicerrectorado Académico de la Universidad Ricardo Palma |
Abbreviated Journal |
Pluriversidad |
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Issue |
3 |
Pages |
21 |
| Keywords |
Individualism; mercantilism; fetichism; rock music; habitus-field |
| Abstract |
This study has been oriented, to identify the benefits of the qualitative method of the theory built on the different aspects of feeling and thinking of the Metaleros1 in the city of Lima, in order to analyze their impersonal relations with society. In this sense the following objective was proposed: to understand why the social life individualization, the cultural commodification and the music fetishism is reproduced in the feeling and thinking of Lima’s metaleros. An in-depth interview was conducted with 23 young adults and metaleros between aged 14 to 48 years old as a range or limit, which resulted in a non-probabilistic sample. Two conceptual categories were identified: Rockandad and Metaldad, which serve to give interpretation to the problematic raised. In addition, a conceptual theoretical instrument called pyramidal dialectic was elaborated, to give way to the explanation of the research carried out. |
| Address |
Av. Benavides 5440 – Santiago de Surco Lima 33 Perú | postal section 1801 | ( 0511 ) 708 0000 | Email: helpdesk@urp.edu.pe |
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Thesis |
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| Publisher |
Universidad Ricardo Palma |
Place of Publication |
Lima, República del Perú |
Editor |
Martínez Llaque, José |
| Language |
Spanish |
Summary Language |
English |
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Print: 2617-6254 / Online: 2617-6262 |
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Creative Commons 4.0 (CC BY-NC) |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2282 |
| Permanent link to this record |
