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Author |
Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
Title |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
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Journal Article |
Year |
2022 |
Publication |
Metal Music Studies |
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8 |
Issue |
3 |
Pages |
327-350 |
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Ethnography; Sociology; Genres & Styles; Preference |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2351 |
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Author |
Swallow, Reuben; Herbst, Jan-Peter |
Title |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
Type |
Journal Article |
Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
3 |
Pages |
351-379 |
Keywords |
Dissonance; Sociology; Function; Transgression |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2352 |
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Author |
Thomson, Andrew; Thomson, Amanda M.E. |
Title |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
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Journal Article |
Year |
2022 |
Publication |
Metal Music Studies |
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8 |
Issue |
3 |
Pages |
381-400 |
Keywords |
Metallica (band); Gilles Deleuze; Felix Guattari; Philosophy |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2353 |
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Author |
González-Martínez, Susana |
Title |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
Type |
Journal Article |
Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
3 |
Pages |
401-421 |
Keywords |
Feminism; Art; Sorority |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2354 |
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Author |
Hudson, Stephen S. |
Title |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
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Journal Article |
Year |
2021 |
Publication |
Metal Music Studies |
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7 |
Issue |
3 |
Pages |
475-478 |
Keywords |
Metallica (band); Black Album (album); Politics; Alternative Metal |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2247 |
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Author |
Büttner, Christoph A.; Wehmeier, Henrik |
Title |
Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen” |
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Journal Article |
Year |
2022 |
Publication |
ffk Journal |
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7 |
Issue |
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Pages |
15-36 |
Keywords |
Kreator (band); Documentaries; Germany |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2267 |
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Author |
Tzu-Han Cheng; Chen-Gia Tsai |
Title |
emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs |
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Journal Article |
Year |
2016 |
Publication |
Frontiers in Psychology |
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7 |
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Pages |
art. 182 |
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Gender; Psychology; Emotion |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2313 |
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Author |
McFerran, Katrina |
Title |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
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Journal Article |
Year |
2014 |
Publication |
International Journal of Community Music |
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7 |
Issue |
2 |
Pages |
205-222 |
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Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2331 |
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Author |
Pascual Auqué , Patricia |
Title |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
Type |
Journal Article |
Year |
2020 |
Publication |
Tropleías |
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7 |
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625-640 |
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Héroes del Silencio (band); Poetry; Symbolism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2495 |
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Author |
Khalil, Lucas Martins Gama (UNIR) |
Title |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
Type |
Journal Article |
Year |
2017 |
Publication |
Miguilim: Revista Eletrônica do Netlli. |
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6 |
Issue |
2 |
Pages |
198-218 |
Keywords |
Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal. |
Abstract |
O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural. |
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http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84 |
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Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. |
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http://periodicos.urca.br/ojs/index.php/MigREN |
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español |
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2317-0433 |
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PDF (no longer available) |
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Open access: https://creativecommons.org/licenses/by/3.0/ |
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INTech @ brianhickam2019 @ |
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2402 |
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