| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Hein, Fabien |
Rock et religion. Dieu(x) et la musique du Diable |
2006 |
|
|
|
| Scott, Niall |
God Hates Us All: Kant, Radical Evil and the Diabolical Monstrous Human in Heavy Metal |
2007 |
Monsters and the Monstrous. Myths and Metaphors of Enduring Evil |
|
201-212 |
| Faulkner, Frank |
Get your kicks on Route 666, or Why the Devil Has All the Best Tunes: Trekking Through the Darker Side of Heavy Metal Music |
2009 |
Something Wicked This Way Comes: Essays on Evil and Human Wickedness. |
|
|
| Trummer, Manuel |
Zerstörer, Trickster, Aufklärer. Die Traditionsfigur Teufel im Heavy Metal zwischen Action, Distinktion und neuer Spiritualität |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
431-443 |
| Wisotzki, Katharina; Falke, Sara R. (eds) |
Böse Macht Musik: zur Ästhetik des Bösen in der Musik |
2012 |
|
|
|
| Wallin, Jason |
On the Plains of Gorgoroth: Black Metal, Youth Culture, and the Psychoanalytic Question of Evil |
2012 |
Cultural Formations |
1 |
n.-p. |
| Pack, Christian |
Invocando a las Tinieblas – Hitler, Heavy Metal and Contemporary Death Sqauds in El Salvador.pdf |
2017 |
|
|
|
| Ostrowski, Florian-Jan |
Vom Teufel zum Satanismus: der Wandel der Teufelsbilder im musikalischen Genre Heavy Metal, 1980-2000 |
2019 |
|
|
|
| Thomson, Andrew |
Right hand up, left hand down: The New Satanists of rock n’ roll, evil and the underground war on the abject |
2021 |
Metal Music Studies |
7 |
43-60 |
| Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
|
|
|
