| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Stoop, David; Bartosch, Roman (eds) |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
2015 |
|
|
|
| Gardenour Walter, Brenda S. |
Black Metal, Forked Tongue: Satanism, Paganism, and the Persistence of the Medieval |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
115-128 |
| Manea, Irina Maria |
Constructing Masculinity: Barbarians and Metal Music |
2015 |
Proceedings Book of International Conference on The Changing World and Social Research I |
|
554-563 |
| Spanu, Michael |
Global noise, local language: A socio-anthropological approach of the language choice in underground French metal |
2015 |
Modern heavy metal: Markets, Practices and Cultures. International Academic Research Conference, June 8–12, 2015, Helsinki, Finland |
|
122-130 |
| Barratt-Peacock, Ruth |
Medieval Metal and Temporal Dislocation in the Construction of Alternative Identities in the Contemporary German Reenactment Scene |
2015 |
|
|
|
| Bardine, Bryan A. |
Metal and Gothic Literature: Examining the Darker Side of Life (and Death) |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
572-581 |
| Metzler, Michael |
Motive des Fin de siècle im skandinavischen Black Metal |
2015 |
|
|
|
| Wilson, Scott A. |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
2015 |
|
|
|
| Clifford-Napoleone, Amber R. |
Queerness in Heavy Metal Music: Metal Bent |
2015 |
|
|
|
| Fletcher, Kris |
The Metal Age: The Use of Classics in Heavy Metal Music |
2015 |
Amphora |
12 |
1,-8 |
