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Möller, Lena |
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“Loads of love to all the Roadburn family”. Gemeinschaftsbildung auf einem virtuellen Festival während der Covid-19-Pandemie |
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Superspreader – Popkultur und mediale Diskurse im Angesicht der Pandemie |
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277-290 |
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Roadburn Festival; Virtuality; Covid-19; Pandemics; Community |
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Transcript |
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Bielefeld |
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Görgen, Arno; Eichinger, Tobias; Pfister, Eugen |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2568 |
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Author |
Efthymiou, Charalampos |
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Title |
The Laws of Metal and Music Analysis |
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The Law of the Metal Scene: An Interdisciplinary Discussion |
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69-84 |
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Music Analysis; Law |
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Kohlhammer |
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Stuttgart |
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Pichler, Peter |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2575 |
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Author |
Lopes, Pedro Alvim Leite |
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Title |
Heavy Metal no Rio de Janeiro e Dessacralização de símbolos religiosos: a música do demônio na cidade de São Sebastião das Terras de Vera Cruz |
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2006 |
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204 |
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Non-Western scenes; Brazil; REligion |
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Ph.D. thesis |
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Universidade Federal do Rio de Janeiro |
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Rio de Janeiro |
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UCM - CAM @ amaranta.saguar.garcia @ lopes_heavy_2006 |
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986 |
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Castillo Bernal, Stephen |
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Title |
Exotismo mediático. Notas sobre el Heavy Metal de inspiración prehispánica en México |
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2022 |
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Cuicuilco. Revista de ciencias antropológicas |
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29 |
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85 |
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41-72 |
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Folk Metal; Pre-Hispanic Metal; México; Ethnography |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2544 |
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Author |
Rosa, Hartmut |
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Title |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
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2023 |
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187 |
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<<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>>
[Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.]
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<< Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >>
[In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.]
(Source: https://shop.kohlhammer.de/) |
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Kohlhammer Verlag |
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Stuttgart, Baden-Württemberg, Germany |
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German |
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MetalBook (Volume 1) |
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9783170426481 |
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Hardback |
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Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD |
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INTech @ brianhickam2019 @ |
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2531 |
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Author |
Holm, Christoffer |
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Title |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
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2023 |
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Power Metal; Helloween (band); Blind Guardian (band); Rhapsody of Fire (band); Conventionality |
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Bachelor's thesis |
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Linnéuniversitetet |
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Växjö |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2553 |
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Author |
Barski, Kamil Sławomir |
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Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
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2023 |
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Świat i Słowo [World and Word] |
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41 |
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2 |
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325-345 |
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Romanticism; Black metal; Ecocriticism; Art; Nature |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2549 |
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Author |
El Harami, Said; Yachoulti, Mohammed |
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Title |
Youth Heavy Metal Bands in Morocco: Resistance and the Struggle for Change |
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2023 |
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ESI Preprints |
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742-777 |
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Morocco; Lyrics; Symbolism; Activism; Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2546 |
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Reis Alecrim, Thales |
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PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) |
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2023 |
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História e Cultura |
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12 |
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2 |
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175-197 |
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Sepultura (band); Pessimism; Future; Capitalism; Neoliberalism |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2545 |
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Author |
Plazola Meza, Eduardo |
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Title |
La “cultura metalera” en el sur de Jalisco, México |
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2023 |
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Pluralidad cultural y artes identitarias regionales |
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9-32 |
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México; Sociology; Mexican scene |
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Universidad de Guadalajara |
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Guadalajara (México) |
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Rangel Muñoz, José Luis; Coca Izaguirre, Manuel; Chamorro Escalante, Jorge Arturo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2543 |
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