| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
|
|
|
James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
|
|
|
LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
|
|
|
Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward |
Lost in the field: Lessons from metal music studies fieldwork in the Global South |
2022 |
Metal Music Studies |
8 |
163-182 |
|
|
|
Varas-Díaz, Nelson |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
2022 |
Lenguas Radicales |
1 |
28-41 |
|
|
|
Sandoval Trigo, Germán Medardo |
Derecho y heavy metal: Fiat iustitia, et pereat mundus |
2022 |
Lenguas Radicales |
1 |
19-27 |
|
|
|
Mattson, Douglas |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
2022 |
Blasfemi, heresi, kätteri, apostasi |
|
119-131 |
|
|
|
Valijärvi, Riitta-Liisa; Doesburg, Charlotte; DiGioia, Amanda (eds) |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics |
2021 |
|
|
|
|
|
|
Ardrey, Caroline |
Baudelaire and Black Metal: Performing Poetry under Perestroika |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
27-45 |
|
|
|
Chiu, Kevin(Kai Wen) |
Vocalizing a Troubled Past: A Case Study of Political Activism in Taiwanese Metal |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
113-131 |
|
