| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Kahrimanović, Šahim |
Heavy metal – supkultura, životni stil i devijatnost |
2017 |
Društvene devijacije [Social Deviations] |
2 |
70-81 |
| Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
| Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
| Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
| Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
| Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
| Stricker, Jake A. |
Ascending the Improbable Heights: An Examination of High-Pitched Male Heroism in Opera and Heavy Metal |
2018 |
|
|
|
| Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
